Mathew Brady and Civil War Photography

One reason I chose to write a time travel novel was because of my fascination with history. One area I explored was the history of photography.

A lithograph of Civil War photographer Mathew Brady
Mathew Brady as a young man.

This is Mathew Brady, considered the father of photojournalism because he sent photographers out of the studio to the battlefields of the Civil War. In October, 1862, his New York City gallery displayed photographs of the dead at Antietam. The New York Times review of the exhibit stated: “Mr. Brady has done something to bring home to us the terrible reality and earnestness of war. If he has not brought bodies and laid them in our dooryards and along the streets, he has done something very like it.”

Photo of dead at the Battle of Antietam. In The Better Angels, the characters attend the exhibit at Mathew Brady's studio.
One of the photos shown at Brady’s exhibit “The Dead of Antietam.”

Brady did not travel to the battlefield himself. The photographs were taken by Alexander Gardner and James Gibson between September 19 and 22, 1862. The photographs were “stereos” and were displayed in boxy stereograph viewers, giving the images a 3-D effect.

Robert Wilson, the author of a terrific biography of Brady, states that the photographs of Antietam “marked a turning point in the portrayal of war.” Sketch artists, whose drawings were featured in the illustrated newspapers of the era, tended to soften and romanticize warfare. Photography, on the other hand, was remorseless.

This vintage photo shows Mathew Brady's photography studio at the corner of Broadway and 10th street in New York City. Grace Church is across the street.
Mathew Brady’s New York Studio at 785 Broadway at 10th Street, New York City. Courtesy The Nelson-Atkins Museum of Art

The photograph above shows Brady’s studio at the corner of 10th and Broadway in New York City, diagonally across the street from Grace Church. The building that held the studio is long gone (there’s a bank there now) but Grace Church is still there.

One level of the studio served as a gallery, displaying portraits of political and military leaders as well as distinguished writers, artists, and celebrities. Photographs were displayed from floor to ceiling, with the pictures at the top hung at an angle so visitors could see them better.

Drawing showing the interior of Civil War photographer Mathew Brady's studio.
This drawing shows the interior of Brady’s studio. Photographs were displayed on the second floor. The upper floors had skylights to provide lighting for the photographers.

I love it when I find a book that transports me to a different time and place. Can you tell I spent a lot of time with Wilson’s wonderful book?

Are you interested in learning more about Mathew Brady and the history of photography? Mathew Brady: Portraits of a Nation by Robert Wilson offers a fascinating look at the early years of photography and how this invention shaped and was shaped by the momentous events of the nineteenth century. You can find out more about the book and its author at http://www.mathewbrady.net/author.html